MARC details
| 000 -LEADER |
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| fixed length control field |
04500cam a2200421 i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
73E244BB8A43489199C04A860B71E543 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240731092154.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
131113s2014 nyum b a001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2013031199 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0857851772 (hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
0857851780 (paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780857851772 (hardback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780857851789 (paperback) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
0857851888 (ePDF) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
0857851896 (ePub) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9780857851888 (ePDF) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Canceled/invalid ISBN |
9780857851895 (ePub) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Description conventions |
rda |
| Transcribing agency |
DLC |
| Modifying agency |
OCLCO |
| -- |
YDXCP |
| -- |
UKMGB |
| -- |
CDN |
| -- |
IUL |
| -- |
IBI |
| -- |
AU@ |
| -- |
OCLCF |
| 050 #0 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
N 6494 |
| Item number |
V53 M44 2015 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Meigh-Andrews, Chris. |
| 245 00 - TITLE STATEMENT |
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| Title |
A history of video art / |
| Statement of responsibility, etc. |
Chris Meigh-Andrews. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
2nd edition. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
New York : |
| Name of producer, publisher, distributor, manufacturer |
Bloomsbury, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2014. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
387 pages : |
| Other physical details |
illustrations (some color) ; |
| Dimensions |
25 cm. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Source |
rdacarrier. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references (pages 369-376) and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
Preface to the 2nd edition -- Part 1. The Origins of Video Art: The Historical and Cultural Context: 1. In The Beginning: The Origins of Video Art; 2. Crossing Boundaries: International Tendencies and Influences in Early Artists' Video; 3. Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video Art; 4. Expanded Cinema: The Influence of Experimental, Avant-Garde and "Underground" Film to Artists' Video; 5. Musique Concr ete, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experimental Music on Video Art; 6. Theory and Practice: The Impact of Theoretical Ideas on Early Technology-Based Practice in the 1970s and some Significant and Influential Figures in the Development of Theoretical Discourse and Their Impact on Contemporary Art after Modernism; 7. Beyond the Lens: Abstract Video Imagery and Image Processing -- Part II. A Discussion of Some Representative and Influential Video Art Works Set in Relation to Their Technological and Critical Context: 8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video; 9. Cutting It: Accessible Video Editing; 10. Mixing it: Electronic/Digital Image Manipulation; 11. The Gallery Opens its Doors: Video Installation and Projection; 12. The Ubiquity of the Video Image: Artists' Video as an International Phenomenon -- Part III. The Development of Artists' Video and Video Installation in Response to Technological Change and Accessibility: 13. Fields, Lines and Frames: Video as an Electronic Medium; 14. The Means of Production: Feminism and 'Otherness': Race, Gender, Technology and Access; 15. Off the Wall: Video Sculpture and Installation; 16. Going Digital: The Emergence of Digital Video Editing, Processing and Effects; 17.Video Art in the New Millennium: New Developments in Artists' Video since 2000 -- Part IV. References. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet"-- |
| Assigning source |
Provided by publisher. |
| 650 10 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Video art |
| General subdivision |
History. |
| 655 #0 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
History. |
| Source of term |
fast |
| Authority record control number or standard number |
(OCoLC)fst01411628. |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Cover image |
| Uniform Resource Identifier |
<a href="http://www.netread.com/jcusers2/bk1388/772/9780857851772/image/lgcover.9780857851772.jpg">http://www.netread.com/jcusers2/bk1388/772/9780857851772/image/lgcover.9780857851772.jpg</a> |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Book |