MARC details
| 000 -LEADER |
| fixed length control field |
02372nam a22003257a 4500 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20250908160419.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
250908b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9781119841784 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9781119841821 |
| 040 ## - CATALOGING SOURCE |
| Language of cataloging |
eng |
| Transcribing agency |
TUPM |
| Description conventions |
rda |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
N 6490 |
| Item number |
C65 2024 |
| 245 ## - TITLE STATEMENT |
| Title |
A companion to contemporary art in a global framework/ |
| Statement of responsibility, etc. |
Jane Chin Davidson (Editor), Amelia Jones (Editor) |
| 264 ## - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Place of production, publication, distribution, manufacture |
Chichester, West Sussex, |
| Name of producer, publisher, distributor, manufacturer |
Wiley Blackwell, |
| Date of production, publication, distribution, manufacture, or copyright notice |
2024 |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
xxv, 559 pages : |
| Other physical details |
illustrations ; |
| Dimensions |
26 cm. |
| 336 ## - CONTENT TYPE |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
| Source |
rdacarrier |
| 490 ## - SERIES STATEMENT |
| Series statement |
Wiley-Blackwell companions to art history, 25 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc. note |
Includes bibliographic references and index. |
| 505 ## - FORMATTED CONTENTS NOTE |
| Formatted contents note |
I Live in the Fourth Dimension When I Create Landscapes / Senga Nengudi, artist statement<br/>Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene / Lisa Bloom<br/>Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair / Hammad Nasar |
| 520 ## - SUMMARY, ETC. |
| Summary, etc. |
"A Companion to Contemporary Art in a Global Framework (CAGF) is designed to provide a cultural, political, social, and aesthetic history of post-1980 visual arts in a global framework. The book is intended for students and specialists, but also for any reader interested in what art is and what it does in and beyond the Euro-American (shorthand for European and North American-so called Western) context. By "global framework," the book points to the necessity of moving beyond the Euro-American canons of art and artists while recognizing the structurally European bases for what we call art and its institutions. That is, the book does not claim global coverage, but rather offers a wide range of perspectives by curators, artists, art historians, performance studies scholars, and others on art since 1980 both within and beyond the Western context"-- |
| Expansion of summary note |
Provided by publisher |
| 590 ## - CITATION |
| Citation |
Davidson, J. C., & Jones, A. (Eds.). (2024). A companion to contemporary art in a global framework. Wiley Blackwell. |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Art, Modern |
| General subdivision |
History and criticism |
| Chronological subdivision |
20th century |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Art, Modern |
| General subdivision |
History and criticism |
| Chronological subdivision |
21st century |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
Art and globalization |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
| Personal name |
Amelia Jones |
| Relator term |
(Editor) |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
| Source of classification or shelving scheme |
Library of Congress Classification |
| Koha item type |
Book |
| Suppress in OPAC |
No |