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Event-space : theatre architecture and the historical avant-garde / Dorita Hannah ; with original photography by Marc Goodwin.

By: Material type: TextTextPublisher: Abingdon, Oxon ; New York, NY : Routledge, ©2019Description: xxiv, 377 pages : illustrations ; 25 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9780415832175 (paperback)
Subject(s): LOC classification:
  • PN  2193 E86 H36 2019
Contents:
Introduction: event-space: a performance model for architecture -- Disciplining the bourgeois glory machine -- Absolute space: universal landscapes -- Abstract space: toward an architecture of alienation -- Abject space: toward an architecture of cruelty -- Conclusion: making architecture tremble.
Summary: "As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political 'event', the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde's championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of 'performative architecture'. 'Event'was of immense significance to modernism's revolutionary agenda, resisting realism and naturalism - and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space."--Provided by publisher.
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Holdings
Item type Current library Collection Shelving location Call number Copy number Status Date due Barcode
Book Book TUP Manila Library NFIC General Circulation Section-GF PN 2193 E86 H36 2019 (Browse shelf(Opens below)) c.1 Available P00033299

Includes bibliographical references and index.

Introduction: event-space: a performance model for architecture -- Disciplining the bourgeois glory machine -- Absolute space: universal landscapes -- Abstract space: toward an architecture of alienation -- Abject space: toward an architecture of cruelty -- Conclusion: making architecture tremble.

"As the symbolists, constructivists and surrealists of the historical avant-garde began to abandon traditional theatre spaces and embrace the more contingent locations of the theatrical and political 'event', the built environment of a performance became not only part of the event, but an event in and of itself. Event-Space radically re-evaluates the avant garde's championing of nonrepresentational spaces, drawing on the specific fields of performance studies and architectural studies to establish a theory of 'performative architecture'. 'Event'was of immense significance to modernism's revolutionary agenda, resisting realism and naturalism - and, simultaneously, the monumentality of architecture itself. Event-Space analyzes a number of spatiotemporal models central to that revolution, both illuminating the history of avant-garde performance and inspiring contemporary approaches to performance space."--Provided by publisher.

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