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The art of teaching art : a guide for teaching and learning the foundations of drawing-based art / Deborah A. Rockman.

By: Material type: TextTextPublication details: Oxford ; New York : Oxford University Press, 2000.Description: xii, 337 p. : ill. ; 26 cmISBN:
  • 0195130790 (cloth : acid-free paper)
  • 9780195130799 (cloth : acid-free paper)
Subject(s): LOC classification:
  • NC 590 R63 2000
Contents:
ch. 1. Essential skills and information -- ch. 2. Teaching essential drawing principles in relation to the human figure -- ch. 3. Special thinking and visualization -- ch. 4. Establishing the classroom environment, conducting critiques, and assigning grades.
Summary: "The Art of Teaching Art begins with a complete explanation of drawing concepts that apply to any subject matter, e.g., composition, sighting processes, scaling techniques, and methods for linear and tonal development. After an extended section on understanding and teaching perspective that explores illusionistic form and space, the focus of the book shifts to the studio classroom itself and the essential elements that go into making an effective learning environment and curriculum. From preparing materials lists and syllabi, to setting up still lifes, handling difficult classroom situations, critiquing and grading student artworks, and shooting slides of student artworks, she leaves no stone unturned." --Book Jacket.
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Holdings
Item type Current library Shelving location Call number Status Date due Barcode
Book Book TUP Manila Library General Circulation Section-GF NC 590 R63 2000 (Browse shelf(Opens below)) Available P00030398

Includes bibliographical references (p. 317-319) and indexes.

ch. 1. Essential skills and information -- ch. 2. Teaching essential drawing principles in relation to the human figure -- ch. 3. Special thinking and visualization -- ch. 4. Establishing the classroom environment, conducting critiques, and assigning grades.

"The Art of Teaching Art begins with a complete explanation of drawing concepts that apply to any subject matter, e.g., composition, sighting processes, scaling techniques, and methods for linear and tonal development. After an extended section on understanding and teaching perspective that explores illusionistic form and space, the focus of the book shifts to the studio classroom itself and the essential elements that go into making an effective learning environment and curriculum. From preparing materials lists and syllabi, to setting up still lifes, handling difficult classroom situations, critiquing and grading student artworks, and shooting slides of student artworks, she leaves no stone unturned." --Book Jacket.

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