Design principles / Jeremy Webb.
Material type:
TextSeries: Basics creative photography ; 01. | Basics creative photography ; 1.Publisher: Lausanne [Switzerland] ; Worthing : La Vergne, TN : AVA Academia ; Distributed in the USA & Canada by Ingram Publisher Services, [2010]Publisher: 2010Description: 191 pages, 1 unnumbered page : illustrations ; 23 cmContent type: - text
- unmediated
- volume
- 9782940411368 (pbk.)
- 2940411360
- 771 22
- TR 161 W43 2018
| Item type | Current library | Shelving location | Call number | Copy number | Status | Date due | Barcode |
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TUP Manila Library | General Circulation Section-GF | TR 146 W43 2010 (Browse shelf(Opens below)) | Available | P00030682 | ||
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TUP Manila Library | Available | |||||
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TUP Manila Library | New Acquisitions-Ground floor | TR 161 W43 2018 (Browse shelf(Opens below)) | c.1 | Available | P00033427 |
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| TP 897 W37 2018 An introduction to textile coloration : principles and practice / | TP 958 E87 2018 Essential oils in food processing : chemistry, safety and applications / | TR 145 P76 2017 Professional photography/ by Cyrilo Harris | TR 161 W43 2018 Design principles / | TR 179 S85 2018 Perception and imaging : photography as a way of seeing / | TR 187 H46 2018 Photography : the unfettered image / | TR 267 A54 2018 Digital photography : an introduction / |
"Featured contributors: Aleksandr Rodchenko; Angus Fraser; Angus McBean; Ansen Seale; Constantine Manos; Ernst Haas; Henri Cartier-Bresson; Libby Double-King; Martine Franck; Naoya Hatakeyama; Olivia Parker; Pascal Renoux; Steve Hart"--P. [4] of cover.
Includes bibliographical references (page [192]) and index.
1. Basic design theory : The role of the viewfinder in photography ; The use of space ; Positional decisions ; Case study 1: points of view ; The rules and when to break them ; Exercise 1: cropping -- 2. The elements of design : Line ; Shape or form ; Space ; Texture ; Case study 2: light and time ; Light ; Colour ; Exercise 2: design limitations -- 3. First design principles : Pattern ; Repetition ; Interruption ; Variety and unity ; Case study 3: depth and light ; Rhythm ; Contrast ; Exercise 3: form and structure -- 4. Depth and scale : Overcoming limitations ; Actual and illusory depth ; Scale and proportion ; Case study 4: style and setting ; The absence of scale ; Abstraction ; Exercise 4: abstract images -- 5. Movement and flow : Directional forces ; Case study 5: lines and shapes ; Containment ; Flow direction ; Exercise 5: observation -- 6. Emphasis and emotion : Point of interest ; Focus areas vs areas of de-focus ; Juxtaposition ; Case study 6: juxtaposition ; Incongruity ; Mood and emotion ; Exercise 6: themes -- 7. Putting it all together : Expressing views and visions ; Symbolism as visual shorthand ; Case study 7: the vernacular ; Creative strategies ; Exercise 7: concepts and ideas.
This book introduces readers to the use of design methodology in the creation of photographic images. In an age oversaturated with photographic imagery, this book demonstrates how design awareness can add a new level of depth to images. It guides readers through a comprehensive range of principles traditionally associated with design, including the use of line, shape, colour, space, texture, and light and demonstrates how these can be applied to photography. It introduces readers to a more considered approach that can add dynamism and impact to photography, whatever the style or genre. It discusses the application of design principles in the creation of original and impactful photography and introduces readers to a more precise and formal approach to photography that can give images a vital competitive edge. It includes activities, guides, glossaries, and resource directories that can be used by both students and educators and also features a wide range of illustrative photography from professionals, amateurs and students. Featured topics include basic design theory; the use of space; positional decisions; the elements of design; line; shape or form; space; texture; light; colour; pattern; rhythm; contrast; scale and proportion; abstraction; movement and flow; containment; emphasis and emotion; juxtaposition; incongruity; and mood and emotion.
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