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The erotic cloth : seduction and fetishism in textiles / edited by Lesley Millar and Alice Kettle.

Contributor(s): Material type: TextTextPublisher: London : Bloomsbury Publishing Ltd, 2018Description: xx, 175 pages : color illustrations ; 28 cmContent type:
  • text
Media type:
  • unmediated
Carrier type:
  • volume
ISBN:
  • 9781474281737
  • 1474281737
  • 9781474281751
  • 1474281753
Subject(s): LOC classification:
  • BF 275 E76 2018
Contents:
""Cover page""; ""Halftitle page""; ""Title page""; ""Copyright page ""; ""Contents""; ""Illustrations""; ""Notes on Contributors""; ""Acknowledgments""; ""Foreword ""; ""Introduction""; ""The Weaver: Lesley Millar ""; ""The Embroiderer: Alice Kettle ""; ""The Erotic Cloth""; ""The Representation of Cloth""; ""Making and Remaking the Cloth""; ""The Alternative Cloth""; ""The Performing Cloth""; ""Conclusion""; ""Notes""; ""References""; ""Further Reading""; ""PART I The Representation of Cloth""; ""1 Folds, Scissors, and Cleavage in Giovanni Battista Moroni�a#x80; #x99; s Il Tagliapanni""; ""Notes""
""4 The Rustle of Taffeta: The Value of Hapticity in Research and Reconstruction of an Eighteenth-Century Sack-Back Dress""""The Vitiated Imagination""; ""Contriving the Drapery""; ""References""; ""Further Reading""; ""5 The Embroiderer�a#x80; #x99; s Jouissance : Stitching a Feminine Identity in an Environment of Mining Machismo""; ""Notes""; ""References""; ""6 Flying in the Face of Fashion: How through Punk, Fetish and Sexually Orientated Clothing Made It into the Mainstream""; ""Notes""; ""References""; ""Further Reading""; ""PART III The Alternative Cloth""
""7 Present or Absent Shirts: Creation of a Lexicon of Erotic Intimacy and Masculine Mourning""""References""; ""8 Empowering the Replicant: Visual and Haptic Narratives in Blade Runner""; ""Notes""; ""References""; ""Further Reading""; ""9 Caressing Cloth: The Warp and Weft as Site of Exchange""; ""(Re)awakening""; ""Interlacing""; ""Insertion""; ""An Itinerant, Caressing Cloth""; ""Reawakening""; ""Notes""; ""References""; ""Further Reading""; ""PART IV The Performing Cloth""
""10 Curvatures of Cloth: William Hogarth�a#x80; #x99; s Line of Beauty and �a#x80; #x9C; The Heart of True Eroticism�a#x80; #x9D; in Serpentine Dance""""�a#x80; #x9C; Painting, Dance, Drawing, and Coquetry�a#x80; #x9D; ""; ""�a#x80; #x9C; 20,000 Revolutions a Minute�a#x80; #x9D; ""; ""Desires, Fantasies, and Fetishes""; ""�a#x80; #x9C; The Felicity of Rapid Motion�a#x80; #x9D; ""; ""References""; ""11 The Echoes of Erotic Cloth in Film""; ""Metaphor""; ""Sublimation""; ""T�Aª te-b�Aª che7""; ""Stendhal Syndrome""; ""Abstract Expressionism""; ""Notes""; ""References""; ""12 UN/DRESS""; ""The Performer�a#x80; #x99; s View""; ""UN/DRESS �a#x80; #x94; the Audience View""; ""London, UK, January 11, 2016""
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Holdings
Item type Current library Collection Shelving location Call number Copy number Status Date due Barcode
Book Book TUP Manila Library NFIC General Circulation Section-GF BF 275 E76 2018 (Browse shelf(Opens below)) c.1 Available P00031423

Includes bibliographical references and index.

""Cover page""; ""Halftitle page""; ""Title page""; ""Copyright page ""; ""Contents""; ""Illustrations""; ""Notes on Contributors""; ""Acknowledgments""; ""Foreword ""; ""Introduction""; ""The Weaver: Lesley Millar ""; ""The Embroiderer: Alice Kettle ""; ""The Erotic Cloth""; ""The Representation of Cloth""; ""Making and Remaking the Cloth""; ""The Alternative Cloth""; ""The Performing Cloth""; ""Conclusion""; ""Notes""; ""References""; ""Further Reading""; ""PART I The Representation of Cloth""; ""1 Folds, Scissors, and Cleavage in Giovanni Battista Moroni�a#x80; #x99; s Il Tagliapanni""; ""Notes""

""4 The Rustle of Taffeta: The Value of Hapticity in Research and Reconstruction of an Eighteenth-Century Sack-Back Dress""""The Vitiated Imagination""; ""Contriving the Drapery""; ""References""; ""Further Reading""; ""5 The Embroiderer�a#x80; #x99; s Jouissance : Stitching a Feminine Identity in an Environment of Mining Machismo""; ""Notes""; ""References""; ""6 Flying in the Face of Fashion: How through Punk, Fetish and Sexually Orientated Clothing Made It into the Mainstream""; ""Notes""; ""References""; ""Further Reading""; ""PART III The Alternative Cloth""

""7 Present or Absent Shirts: Creation of a Lexicon of Erotic Intimacy and Masculine Mourning""""References""; ""8 Empowering the Replicant: Visual and Haptic Narratives in Blade Runner""; ""Notes""; ""References""; ""Further Reading""; ""9 Caressing Cloth: The Warp and Weft as Site of Exchange""; ""(Re)awakening""; ""Interlacing""; ""Insertion""; ""An Itinerant, Caressing Cloth""; ""Reawakening""; ""Notes""; ""References""; ""Further Reading""; ""PART IV The Performing Cloth""

""10 Curvatures of Cloth: William Hogarth�a#x80; #x99; s Line of Beauty and �a#x80; #x9C; The Heart of True Eroticism�a#x80; #x9D; in Serpentine Dance""""�a#x80; #x9C; Painting, Dance, Drawing, and Coquetry�a#x80; #x9D; ""; ""�a#x80; #x9C; 20,000 Revolutions a Minute�a#x80; #x9D; ""; ""Desires, Fantasies, and Fetishes""; ""�a#x80; #x9C; The Felicity of Rapid Motion�a#x80; #x9D; ""; ""References""; ""11 The Echoes of Erotic Cloth in Film""; ""Metaphor""; ""Sublimation""; ""T�Aª te-b�Aª che7""; ""Stendhal Syndrome""; ""Abstract Expressionism""; ""Notes""; ""References""; ""12 UN/DRESS""; ""The Performer�a#x80; #x99; s View""; ""UN/DRESS �a#x80; #x94; the Audience View""; ""London, UK, January 11, 2016""

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