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005 20240731092154.0
008 131113s2014 nyum b a001 0 eng
010 _a 2013031199
020 _a0857851772 (hardback)
020 _a0857851780 (paperback)
020 _a9780857851772 (hardback)
020 _a9780857851789 (paperback)
020 _z0857851888 (ePDF)
020 _z0857851896 (ePub)
020 _z9780857851888 (ePDF)
020 _z9780857851895 (ePub)
040 _aDLC
_beng
_erda
_cDLC
_dOCLCO
_dYDXCP
_dUKMGB
_dCDN
_dIUL
_dIBI
_dAU@
_dOCLCF
050 0 _aN 6494
_bV53 M44 2015
100 1 _aMeigh-Andrews, Chris.
245 0 0 _aA history of video art /
_cChris Meigh-Andrews.
250 _a2nd edition.
264 1 _aNew York :
_bBloomsbury,
_c2014.
300 _a387 pages :
_billustrations (some color) ;
_c25 cm.
336 _atext
_2rdacontent.
337 _aunmediated
_2rdamedia.
338 _avolume
_2rdacarrier.
504 _aIncludes bibliographical references (pages 369-376) and index.
505 0 _aPreface to the 2nd edition -- Part 1. The Origins of Video Art: The Historical and Cultural Context: 1. In The Beginning: The Origins of Video Art; 2. Crossing Boundaries: International Tendencies and Influences in Early Artists' Video; 3. Technology, Access and Context: Social and Political Activists and Their Role in the Development of Video Art; 4. Expanded Cinema: The Influence of Experimental, Avant-Garde and "Underground" Film to Artists' Video; 5. Musique Concr ete, Fluxus and Tape Loops: The Influence and Impact of Sound Recording and Experimental Music on Video Art; 6. Theory and Practice: The Impact of Theoretical Ideas on Early Technology-Based Practice in the 1970s and some Significant and Influential Figures in the Development of Theoretical Discourse and Their Impact on Contemporary Art after Modernism; 7. Beyond the Lens: Abstract Video Imagery and Image Processing -- Part II. A Discussion of Some Representative and Influential Video Art Works Set in Relation to Their Technological and Critical Context: 8. In and Out of the Studio: The Advent of Inexpensive Non-Broadcast Video; 9. Cutting It: Accessible Video Editing; 10. Mixing it: Electronic/Digital Image Manipulation; 11. The Gallery Opens its Doors: Video Installation and Projection; 12. The Ubiquity of the Video Image: Artists' Video as an International Phenomenon -- Part III. The Development of Artists' Video and Video Installation in Response to Technological Change and Accessibility: 13. Fields, Lines and Frames: Video as an Electronic Medium; 14. The Means of Production: Feminism and 'Otherness': Race, Gender, Technology and Access; 15. Off the Wall: Video Sculpture and Installation; 16. Going Digital: The Emergence of Digital Video Editing, Processing and Effects; 17.Video Art in the New Millennium: New Developments in Artists' Video since 2000 -- Part IV. References.
520 _a"A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet"--
_cProvided by publisher.
650 1 0 _aVideo art
_xHistory.
655 0 _aHistory.
_2fast
_0(OCoLC)fst01411628.
856 4 2 _3Cover image
_uhttp://www.netread.com/jcusers2/bk1388/772/9780857851772/image/lgcover.9780857851772.jpg
942 _2lcc
_cBK
999 _c10178
_d10178