000			03646nam a2200409 i 4500
003			OSt
005			20240805162811.0
007			ta
008			220425s2018 enka b 001 0 eng d
020			_a9781474281737 _q(electronic bk.)
020			_a1474281737 _q(electronic bk.)
020			_z9781474286800
020			_z1474286801
020			_z1474281745
020			_z9781474281744
020			_a9781474281751
020			_a1474281753
040			_aNhCcYBP _cTUP-M _dTUPM _erda
050		0	_aBF _b275 E76 2018
245	0	0	_aThe erotic cloth : _bseduction and fetishism in textiles / _cedited by Lesley Millar and Alice Kettle.
264		1	_aLondon : _bBloomsbury Publishing Ltd, _c2018.
300			_axx, 175 pages : _bcolor illustrations ; _c28 cm
336			_atext _2rdacontent
337			_aunmediated _2rdamedia
338			_avolume _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_a""Cover page""; ""Halftitle page""; ""Title page""; ""Copyright page ""; ""Contents""; ""Illustrations""; ""Notes on Contributors""; ""Acknowledgments""; ""Foreword ""; ""Introduction""; ""The Weaver: Lesley Millar ""; ""The Embroiderer: Alice Kettle ""; ""The Erotic Cloth""; ""The Representation of Cloth""; ""Making and Remaking the Cloth""; ""The Alternative Cloth""; ""The Performing Cloth""; ""Conclusion""; ""Notes""; ""References""; ""Further Reading""; ""PART I The Representation of Cloth""; ""1 Folds, Scissors, and Cleavage in Giovanni Battista Moroni�a#x80; #x99; s Il Tagliapanni""; ""Notes""
505	0		_a""4 The Rustle of Taffeta: The Value of Hapticity in Research and Reconstruction of an Eighteenth-Century Sack-Back Dress""""The Vitiated Imagination""; ""Contriving the Drapery""; ""References""; ""Further Reading""; ""5 The Embroiderer�a#x80; #x99; s Jouissance : Stitching a Feminine Identity in an Environment of Mining Machismo""; ""Notes""; ""References""; ""6 Flying in the Face of Fashion: How through Punk, Fetish and Sexually Orientated Clothing Made It into the Mainstream""; ""Notes""; ""References""; ""Further Reading""; ""PART III The Alternative Cloth""
505	0		_a""7 Present or Absent Shirts: Creation of a Lexicon of Erotic Intimacy and Masculine Mourning""""References""; ""8 Empowering the Replicant: Visual and Haptic Narratives in Blade Runner""; ""Notes""; ""References""; ""Further Reading""; ""9 Caressing Cloth: The Warp and Weft as Site of Exchange""; ""(Re)awakening""; ""Interlacing""; ""Insertion""; ""An Itinerant, Caressing Cloth""; ""Reawakening""; ""Notes""; ""References""; ""Further Reading""; ""PART IV The Performing Cloth""
505	0		_a""10 Curvatures of Cloth: William Hogarth�a#x80; #x99; s Line of Beauty and �a#x80; #x9C; The Heart of True Eroticism�a#x80; #x9D; in Serpentine Dance""""�a#x80; #x9C; Painting, Dance, Drawing, and Coquetry�a#x80; #x9D; ""; ""�a#x80; #x9C; 20,000 Revolutions a Minute�a#x80; #x9D; ""; ""Desires, Fantasies, and Fetishes""; ""�a#x80; #x9C; The Felicity of Rapid Motion�a#x80; #x9D; ""; ""References""; ""11 The Echoes of Erotic Cloth in Film""; ""Metaphor""; ""Sublimation""; ""T�Aª te-b�Aª che7""; ""Stendhal Syndrome""; ""Abstract Expressionism""; ""Notes""; ""References""; ""12 UN/DRESS""; ""The Performer�a#x80; #x99; s View""; ""UN/DRESS �a#x80; #x94; the Audience View""; ""London, UK, January 11, 2016""
650	1	0	_aTouch _xPsychological aspects.
650	1	0	_aTextile fabrics _xPsychological aspects.
650	1	0	_aClothing and dress _xErotic aspects.
700	1		_aMillar, Lesley, _eeditor.
700	1		_aKettle, Alice, _d1961- _eeditor.
942			_2lcc _cBK
999			_c2166 _d2166