000			03915cam a22004097i 4500
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003			OSt
005			20250617145301.0
008			240513s2024 enka b 001 0 eng d
010			_a 2024443459
020			_a135025309X _q(hardback)
020			_a9781350253094 _q(hardback)
020			_a1350253081 _q(paperback)
020			_a9781350253087 _q(paperback)
035			_a(OCoLC)on1385291749
040			_aYDX _beng _erda _cYDX _dBDX _dOCLCO _dOCLCQ _dYDX _dOCLCO _dYDX _dYT1 _dTUPM
042			_alccopycat
050			_aNC 915 _bN48 2024
100	1		_aNetter, Louis, _eauthor.
245	1	0	_aReportage drawing : _bvision and experience / _cLouis Netter.
264		1	_aLondon ; _aNew York, NY : _bBloomsbury Visual Arts, _c2024.
300			_avi, 210 pages : _billustrations ; _c24 cm.
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Reportage drawing: History and the contemporary act -- The graphic construct of reportage drawing and the re-creative experiences -- The perception and reception of drawing -- The reductive line: caricature and comment -- Experience, place and meaning making -- The graphic construct: Jill Gibbon -- The graphic construct: mapping my own practice -- The graphic construct: Gary Embury -- Artist spotlight: Mario Minichiello -- Artist spotlight: Loup Blaster -- Artist spotlight: Mercy Kagia -- Artist spotlight: Dominika Wroblewska -- The currency of reportage drawing -- Concluding comments.
520			_aHow does drawing shape the truth and our understanding of the visual world? Why has the act of reportage drawing persisted and thrived in our ever-changing media landscape? This book offers a deep dive into the world of reportage drawing, a world which is provocative, mixed media, transdisciplinary and immersed in the idiosyncratic vision of the artist. Where the traditional orientation of reportage was on the communicative function of the image as a record of an event, contemporary practitioners, largely detached from commissioning structures of the 19th and 20th centuries, now seek to capture more experiential qualities of place and choose locations which have highly personal and political significance. Liberated from old conceptions of reportage drawing as objective and true, artists today embrace subjectivity and are seeking a rich dialogue with their subjects, using drawing to tell important stories about protest, human migration, war, corporate capitalism and homelessness. Louis Netter distinguishes contemporary reportage drawing from its historical function through a critical exploration of the aesthetic of the sketch, the role of caricature and the nature of experience. Featuring several prominent artists such as Jill Gibbon, who secretly draws in arms fairs across Europe, Phoebe Glockner, who produces highly provocative mixed media work about violence against women in Mexico, renowned reportage illustrator Gary Embury and French reportage artist Loup Blaster, in addition to an exploration of the author's own work, this book shows how the act of drawing can foster new insights about people, places and political realities in often subtle and challenging ways. Part of the Drawing In series, this book opens up reportage drawing practice as a way of understanding our world in a deeper and more personal way.
590			_aNetter, L. (2024). Reportage drawing: Vision and experience. Birkhäuser.
650		0	_aReportage drawing.
650		0	_aDrawing _xPictorial works
650		0	_aVisual communication _xPictorial works
906			_a7 _bcbc _ccopycat _d2 _encip _f20 _gy-gencatlg
942			_2lcc _cBK _n0
999			_c29947 _d29947